The clarification that appears at the bottom of the menu sets the tone of this Eugene restaurant gem. "No Substitutions. No Ketchup." Like you could ever need Ketchup on any of the delectable dishes offered at this affordable high-brow bistro.
Monday, January 26, 2009
"No Substitutions. No Ketchup." -- Black Rabbit Bistro
The clarification that appears at the bottom of the menu sets the tone of this Eugene restaurant gem. "No Substitutions. No Ketchup." Like you could ever need Ketchup on any of the delectable dishes offered at this affordable high-brow bistro.
Tuesday, January 13, 2009
A Very Viennese Christmas

Sunday, November 23, 2008
Villa Sandi Winery

Villa Sandi Winery lies nestled in the valleys of the
The process of making prosecco is unlike any that I have ever seen. I was surprised to see the prosecco does not age in French oak barrels or stainless steel vats, but in their own bottles. After up to seven years of aging untouched, they are carefully moved to steel cages where a machine slowly turns them upside down, shaking them slightly in the process. The task takes many weeks and used to be done by hand, requiring workers to turn the bottles every 30 minutes everyday for a couple weeks. Once the bottles are turned completely upside down, all the sediment is left in the neck of the bottle. From there, the bottles are putting into a specialized freezer upside down. The freezer turns the liquid in the neck to ice, capturing all the left over sediment in the prosecco. Once the sediment is frozen, the bottle can be turned upright and have the cap released. The bottle naturally expels the frozen impurities and is topped of with more of the same prosecco. From here, the bottles can be thoroughly topped, cleaned and labeled for sale.
The prosecco made by Villa Sandi is known worldwide for its excellence and floral tones. The sparkling and still wines are renowned and the Moretti Polegato family, the current winemakers, have received hundreds of awards and recognition for their wines and prosecco. Learning more about the prosecco-making process has been very valuable to me as someone interested in wine and winemaking, and I am thankful to have learned more from one of the best in
Picture: http://www.cellartours.com/italy/italian-wineries/villa-sandi-winery.html
Tuesday, October 28, 2008
Munchen Style

My journey to this beautiful place was not as enjoyable. In fact, it was a nightmare. Eight long hours sitting upright on a train filled to the brim, so much so, it was bursting its seams. My car was full with six people to a room, none of whom I knew. Next to me sat an older gentleman in his early 50s. Country of origin unknown, but what was evident to the other five of us in the room was he had not bathed in two weeks -- just my luck. The following hours drug on like waiting for molasses to pour, all the while sitting completely upright with no leg room. Obviously, there was no sleep for me on this overnight train to Munich. I was ecstatic when it was finally over.
And was it all worth it? Was it worth going through that torture to be sitting in the crisp, fresh, autumn air in Munich, Germany, eating bratwurst, blaukraut, and pretzels larger than my head, drinking beer in a glass so heavy I need two hands to hold it? The answer is simple: Yes. And I cannot wait to go back. I have officially left my heart in Munich.
Tuesday, October 21, 2008
Italian Cafeteria Experience
On the ground floor of the PIO building in the Instituti Filipini, I am waiting patiently in line for dinner, not completely sure if I am hungry at all. The unrecognizable smells of cooked vegetables and tomato sauce permeate the air, finding its way to my nostrils, and putting me off from any desire to eat what the cooks serve to me.
The line starts to inch forward, like the movement of a centipede, and I give a big sigh: Another meal in an Italian school cafeteria.
Reluctantly, I grab a tray and a thin, gray paper place mat. I select my glass cup for water, and my silverware. Tonight, I decide to skip the bread rolls because finding a soft one is like searching for Waldo. I set my tray on the stainless steel shelf and turn to face the jolly old man who waits to serve me flavorless pasta. He is dressed in a gray short-sleeved shirt, white apron, and a white cap tied over his grey, balding hair.
Kindly, I ask for “Pasta con pomodoro,”
“Buonissimo,” he replies laughing as he darts the bowl away from my hands as I try to claim it. He reminds me of a caring and loving grandfather playing airplane with a grandchild. It works. He gets a smile out of me, and my mood is lifted for the next phase of the cafeteria line: The meat and vegetables section.
I have always looked at this section of the line as the most questionable. The meat is always unusual colors, making it hard to guess what kind it is.
“Could I please have the turkey?”
“
“I will have the hot dogs, then. Thank you!”
And that is how I ended up eating hot dogs and fries.
I sat down and further examined the food that I ended up with, only half wanting. First, there is farfalle pasta, which looks like little bow ties, with tomato sauce placed absent-mindedly on top. My hot dogs are pale as flesh that has not seen sun in 20 years, leading me to believe they are most likely not all natural meat. The only part of my meal I can count on to taste enjoyable are my steakhouse style fries, which I proceed to cover with salt.
I pick up my fork and take a chunk off of the hot dog. I decide it is best not to examine the piece before putting it in my mouth. Adding a dab of dark yellow mustard, I plop the hot dog in my mouth and chew. The taste is there, reminding me of summer barbecues eating Ball Park Franks; however, the consistency is a total miss. It is soft and mushy on the inside, as if it was over cooked. What did I expect? Hot dogs are an American pastime, so I should not have had high expectations. I finish the hot dogs anyway. Moving on, I try the pasta and tomato sauce. The sauce is thick, assuring it is freshly made. The pasta is served al dente; however, the noodles are oily, giving the whole dish a liquid consistency. The sauce is somewhat low on flavor, so, once again, I dump more salt on top, chuckling to myself about the sharp increase in iodine to my daily diet.
Train Car Serenade
I was settled comfortably on the second level of a Spanish train from the heart of Barcelona headed for my relaxing day in the beach town of Sitges, about a 40-minute trip south. As I put my feet up on the seat in front of me, I noticed a man standing awkwardly to the right of me. I looked up just in time to see him raise an instrument to his chin and start to play. At first, I was annoyed and prayed his musical tribute to the train car holding seven people, including myself, would be his only dedication.
I closed my eyes for a few minutes trying to ignore the musical notes dancing around my ears, but my curiosity got the better of me. I opened my eyes to get a better look. The man I saw serenading the train car on his violin was dressed head-to-toe in black. His skin was the color of milk chocolate, and his dark, balding hair was peppered with bits of grey around his temples. His one accessory of frill is the large, monogrammed gold ring on the pinky finger of his left hand, clenching the neck of his violin.
As his eyes were closed in concentration, I noticed how much his dark skin hid his true age. His face had minimal wrinkles, but his eyes gave him away. Underneath them were dark circles making him look sad and exhausted, as if he has been riding this train for days trying to earn some spare money for dinner. Framing his eyes were deep wrinkles creasing around the outside corners, revealing the effects of living in a sunny climate and squinting into the sun. Looking at his eyes made me feel sympathy for him, and curious to know his story.
As his slow, sad song drifted on, I noticed the poor condition of his violin. There were obvious dings and dents flawing the wood, and the sheen of its lacquer coat was faded. The chin rest was falling off from use, and was held onto the instrument with shiny, clear packing tape. The physical state of his violin revealed how hard the two of them worked: The violinist and his violin together. The musician supplied his own amplifier to help carry the music throughout the small train car, which, as I turned around to see the reaction of my fellow passengers, annoyed them more than pleased them. He rolled his amplifier around on a rickety metal rolling cart in a black, faded, and worn Nike duffel bag.
As the ballad comes to a close, the violinist kindly says, “Gracias” to the crowed, still avoiding his gaze, packs up and hurries out of the train car. He earned no money from the passengers in the train.
Photo 2: 2 euro beers on the beach... before we discovered the 40s for about 1.60 euro
Monday, October 20, 2008
The Whole Blog Thing Has Been Harder Than I Thought
Who would have thought this would be a hard thing to do often. I have missed so many things, so I will try and remember as many as I can.